Archive for April 2022

The Final Countdown is the title of this album, of course also the single, and its also the title of the band’s ‘best of’ album too. For a group that apparently doesn’t like to milk their biggest hit, that’s a bad look. I understand there’s probably a ton of label meddling in these decisions, but still. I’ve always loved the title track, since I was a wee lad studying music in school. So I figured…

Oh boy. So. I’d never actually listened to this all the way through before. Sure, we all know those tracks that people hate so much, and I saw the band live during this tour cycle and witnessed a lot of the death metal songs here sounding pretty impressive, I won’t lie. How do I even tackle this? This record is considered one of the most universally reviled metal albums of all time. Playing it through…

Nile’s debut album (not counting the demo, even though that feels long enough to be an album) is a blocky and solid affair that introduces the world to the band’s unique take on combining ancient Egypt with death metal. This is far from the polish of Annihilation Of The Wicked or In Their Darkened Shrines, but its great to see where the band’s musical journey truly started to begin and flourish. At a first listen,…

I have to say off the bat that I find Democracy underwhelming. I’ve listened to it twice now, and it just doesn’t jump out at me. It’s not bad, but it’s just very uneventful. The mix is very wishy washy and everything gets lost and buried. Kinda like the shoegaze hoover effect, but not in desired way. Democracy, unfortunately, sees Killing Joke on auto-pilot. This is a crying shame after the return to form thay…

Hater is now 11 years old. Damn, son. Anyways, this little fucker is probably my favourite TFD stuff, outside of the sessions that appeared on the Slimewave splits (I absolutely love the drum sound on those sessions). Here Rich Hoak and chums perfect their spastic, jazzy grind down to the very last blast or chug. The songs are just brilliant. From “Weaponization Of The Mega-Self”, “Everything You Need But Nothing You Want”, “It’s Only Attitude”…

Thecorpseinthecrawlspace is one of the more “musical” things that Bobby Maggard and chums were involved in. In fact, I can’t remember if this was actually a solo project or if it had other members (some of the main-line bands on Stoma Stew had some other people involved, I’m sure). Anyways, blasting goregrind is the order of the day, only here we are happily engulfed in riffs and some excellent drum programming, rather than the endless…

This was a project that I put together in late 2013. I’d decided that I wanted to do some gorenoise, but with the genre feeling rather saturated, I initially figured I’d fire up some “pornoise” shtick but eventually settled on using a bong for long, watery vocal effects. In fact, this was a ton easier than using actual pitch-shifted vocals. The bong is run through the same kind of effects that you would use on…

I’m no jazz expert, as I’m sure I’ve declared numerous times already. With that in mind, I sometimes struggle to review jazz records, even in this micro-format of a short paragraph or two. This is great, old-fashioned and busy jazz; just what the doctor ordered if something of the more classic variety is what you were after. If you want spacey 25-minute fusion epics, you’re looking in the wrong place.

I’ve heard the name Jah Wobble many, many times, but have never had the pleasure of partaking in any of his music. Thank the dub heavens then, for this collab with the legendary Bill Laswell. A Dub Transmission takes you on an hour of ticking, chill-out beats underpinned by intense, fat sub-bass. It won’t blow a hole in your speaker cone, but you can definitely feel its presence, which is fantastic. A bit later on,…

I’m going to have to address Douglas P’s politics at some point. Probably in the form of a YouTube video so nothing is lost through hard text. That is an unfortunate reality I am faced with have now covered several Death In June records here. I love Death In June. There is no other band that sounds quite like them, despite them being a highly imitated pillar of the neo folk movement. In the early…

This is a long overdue listen for me. Dogg Pound, is perhaps, quite famously, a duo comprising of Kurupt and Daz Dillinger, who you may know from Dr. Dre’s albums or Snoop Dogg’s legendary Doggystyle album. These are the two guys that fill out a good chunk of guest spots on some high profile releases in the hip hop world during the 90s and it was high time (lol) that I checked out their debut…

Intestinal Disgorge’s first album is as fuckin’ batshit crazy as you’d expect to be. By this point, the band have a long and surprisingly varied career (who saw that coming?), so its nice to go back and check out the very sordid beginnings. In fact, Intestinal Disgorge got seedier and more brutal as they progressed into the 2000s (Depravity is probably one of the sickest and most unrelenting things ever recorded, at 60 tracks long)….

Hrmmmm. This is a rare misstep for Burial. Let me preface this by saying that the music here isn’t bad, nor is its production inferior. Everything is above board. I’m just…. confused by the vibes. The name Rival Dealer of course conjures the usual Burial magic of urban grit filtered through fractured and almost ambient dance/dub sound pieces. All of them are unique yet united as a whole. On Rival Dealer however, which contains some…

Juicer are a sonic force to be reckoned with. Calling All Cars shows their all-encompassing sound in its infancy, from sweet, lullaby-esque vocal pieces to stomping grunge and or sludge bangers. The duo would get heavier, more experimental and more extreme as time went on, but their debut is a sunny slice of all the things that makes this project so brilliant.

Very angery. Straight up heavy as shit, balls out powerviolence. I love the aesthetic, I love the production, and I love the rabid vocals and unstoppable instrumentation. As with most compositions in this style, it doesn’t last forever, but it doesn’t need to. Highly recommended.

Burial is a dissapointing transition between The Guilty Have No Pride and the absolute classic that is Nada!. What we do get in the way of genuine new material is fantastic, I personally enjoy “Sons Of Europe” and “Death In The West”, even the seemingly hated “Black Radio” sound collage. Unfortunately side B is crammed with nothing more than a shitty live recording, so to call Burial a second album by this band is really…

A live split EP which actually sounds pretty clear. The AGx stuff crawls a bit, rather than being from their selection of mincing microblasts. Quality is usually any issue that I have with splits from these Belgian legends, repeated songs aside. And that’s all OK here. The Nyctophobic side isn’t bad either. Is this an essential underground gem? Perhaps not, but it’s not bad either.

Atrocities has to be one of, if not the best, First Days recordings. Their slushy drum machine gore is perfected here, with interesting themes and perfect shifted vocals. The vocals in of themselves are something that need to be heard to be believed. Fast, brutal, savage. That’s all I need to say here, I think.

The Real Thing blew Faith No More up. Angel Dust, which followed, seemed to weird a lot of mainstream media and fans out, if what I read on the Internet is true. I can kinda see this, as Angel Dust can get quite obtuse in moments. Songs like “Jizzlobber” and “RV” are of course going to hit a bit on the nose, but fans of Patton et al will of course no doubt instead revel…

On first impressions, VHS Logos’ legendary Mantra record fits right in alongside the other early greats of the vaporwave genre. However, give it chance to develop and you are treated to a smattering of beats and vibes in the hip hop and funk styles too. Everything is wrapped in that warm, fuzzy 90s analogue sound that we all love vaporwave so much for, and I’m sure there’s plenty of re-worked samples and songs going on…

It’s really cool to look back at the beginnings of this band, who are now one of the biggest names in modern death metal. This cavernous debut is probably the most “different” sounding to all their other stuff, where they found their true style and their feet. That isn’t to say this demo is shaky, far from it in fact, its just the style of death metal on display is a little different, and the…

Cannibal Corpse’s second record with Corpsegrinder on vocals certainly hits home a bit harder for me than Vile did. Not to shit on Vile at all, but I just prefer this one. The album art features a woman who has perhaps the longest torso in the entire world, and whilst its not one of the best pieces Vince Locke has ever done, it fits the sound here perfectly. Opening track “I Will Kill You” is…

This has been my jam recently. To say that I have overlooked Morbid Angel would be a lie, but I’ve definitely been a dismisser of their “later” discography, starting with Domination. More fool me, however, as this has probably become my favourite Morbid Angel record (for the time being, at least). Domination marks Erik Rutan’s addition to the band (the producer legend, also of Hate Eternal and currently the recent incarnation of Cannibal Corpse). Domination…

John Tardy has to have one of the most distinctive death metal vocal sounds. He reminds me of the gnolls from the Forgotten Realms computer RPG Baldur’s Gate. Your man here literally sounds like a feral beast let loose to scream over these sludgy, lurching death metal tunes. Do I love this as much as Autopsy? Probably not, but it’s still a legendary lesson (lesion?) in doing slow death metal just right. I love the…

Abruptum’s initial legacy ended in the mid 2000s, but after a few years hiatus, the member known as “Evil” returned without founding member “IT” (Information Tech? – these fuckin’ names, man) and released new material under the Abruptum name, even though, realistically, this should have been called something else entirely. However. This is fucking great. Potestates Apocalypsis (you know its grim and evil if the name is in fuckin’ Latin) is actually really, really good….

This is the second and final album from The Blood Divine, the band featuring several members of Principle-era COF, as well as Darren White from Anathema. Mystica is a refreshing journey, actually. The first album is a solid and fine lesson in 90s British doom (arguably the best doom?), but Mystica goes off in several unpredictable directions. There are a lot of rock and blues parts, and the keyboard playing is absolutely excellent in this…

The Blood stuff here is great. Its raw, its nasty, and it really shows the styles that the band flirted with, bridging elements of death and grind with even black or war metal stylings. Love it. Unfortunately for me, I’ve heard the Impetigo side a thousand times because I got the Giallo / Antefatto complication CD through a trade when I was a teenager and these songs are already on there. Plus, the version of…

I’ve approached The Epic multiple times since release and have struggled to find the words to do it justice. Therefore, I’ve decided after another recent listen through at the beginning of the year, to throw all pretense of “doing it justice” to the wolves and just commit this monster of an album to the site. Is it too overblown for me to state that The Epic is the Bitches Brew of our generation? Possibly. Bitches…

I snoozed on this when it came out, and I snoozed once more when the 3XM side was re-released on 12″ vinyl. In fact, why did the vinyl re-release only include the 3XM stuff? Seems a bit shitty. Anyway, I digress. This is a pretty solid effort from 3XM, which farts hyperspeed drum machine grindcore over you in their “original” full length style – i.e. the production is decent, the vocals are weird and the…

How is this 9 years old? The time, she flies! I used to trade a lot with the Fuck The Industry label from Japan, who at the time were putting out some of the highest quality home made releases I’d seen. It goes to show how much difference can be made by investing in a decent printer (lol) – all of FTI’s stuff looked the part, both on CDr and cassette. Video Nasty (not to…

I’m not sure why Voices’ output fell off the radar in the mid 2010s, after the quickfire one-two of albums in 2013 and 2014, but I’d have to assume that it had a lot to do with Akercocke becoming a functioning entity again. In a running theme with a lot of the posts that I have made here recently, I completely missed this record around the time of its release, finally catching up with it…

I’ve never really been able to get into Watain. It’s not that I don’t like a bit sneaky melody living beneath the frosted, barren landscapes of my black metal. Nor is it that I find any of their music to be boring or badly made. Lawless Darkness is a intense slab of blackened metal tomfoolery, which admittedly doesn’t quite live up to the savage evilness promised by the title and the cover art, but is…

It seems almost pointless to write a blog post about a download-only single. But hey, I’ve listened to this thing a ridiculous amount of times so its probably a good idea to go ahead and commit it here to the archive of forever. This is unreasonably catchy. For someone who enjoys both vaporwave and TES III: Morrowind, this is a match made in heaven. Hey, April 1st seems a good a day as any to…

I have a spotty relationship with Wheelchair x4. Granted, its mostly my fault, having organised a failed compilation featuring 69 bands around the time everyone was leaving MySpace en-masse and it took a year or so to get everyone’s money back. Anyway, that’s water under the bridge. I got this in 2013 along with the Elastic Death split and I really enjoyed it, despite the animosity the guys seem to have against me. Maybe its…

Dense, brutal death metal is the order of the day. In the old school style of course, as I’m sure you can tell by the artwork. The resurgence of this kinda shit is still flowing freely from an unblocked sewer, and for now, I’m OK with that (no doubt saturation point will be reached at some point in the near future). Insurrection Or Submission isn’t a particularly long affair, nor, dare I say, is it…

Vile is the first Cannibal Corpse record without Chris Barnes on vocals. Fortunately, the history of metal has been kind to us, and metalheads will surely know that this means that Vile is the first record with the now-legendary George “Corpsegrinder” Fisher. This tidbit aside, it is unfortunately difficult not to compare this to what came before, especially considering Barnes left the band on such a fucking high, with the final record being The Bleeding….

Abigail has always danced at the corners of my musical peripheral vision (lol); the odd festival appearance here, the odd logo shirt there. But never had i submitted myself to their sleazy thrashing blackened metal until now. Think Nunslaughter, but throw in some more d-beat and make all the songs about “sluts” instead of goats, and you’re on the right track. Imagine if Midnight were a band full of horny teenage boys, and you’d maybe…

Ah! Classic old school Agathocles EP right here. Guitars down-tuned to non-existence, shifted vokills and drums that are all over the place – what more could you possibly want? I love this primordial soup stuff, way back before mincecore was defined by stomps, d-beats and those riffs. Not that I hate any of that stuff, no no, but I do have a soft spot for the more grinding death metal sound to Agathocles had at…

This is fucking great. I heard about this as it was mentioned in passing by Stuart Anstis; during a very long interview he mentioned that Robin (the original COF bass player) had a project called December Moon. I don’t think Stu had anything to do with this, but he led me down this path at the least. Honestly, this is awesome. It’s showing its age, in some regards, but that’s OK. The production is great,…