This album was the final recording that Mick did with any connections to Earache. The album itself was produced and “marketed” by Earache Records, but released by Mick’s own label, Scorn Recordings. Logghi Barhogghi is only the second Scorn album after the departure of Nik Bullen, and still sounds a bit bare and unsteady on it’s feet, just like it’s predecessor, Gyral. Although, unlike Gyral, LB is much more straight forward and was a definite sign of what was to come with Scorn from this point on. The name Logghi Barhogghi came from when Mick Harris over-heard an American tourist trying to pronounce the town Loughborough; that’s fecking highlarious!
From start to finish, LB is a stripped-back affair of clanking percussion and heavy beats. The moody synths and unusual atmospheres are held right back. LB is all about the beat! On the first few listens through, this took some getting used to. I thought this was a remix album or some sort of experimental spin-off project, but this is a fully-canon Scorn album, despite it’s very basic approach. Some tracks are stompers; heavy programmed percussion looped over and over until your brain just can’t take it no more, other songs are a bit more laid back; some even barely audible, with just a purring bass line and ticking beat. Every now and then the phatter-than-your-mudda bass lines come in, scarily pre-dating all this dubstep stuff by well over a decade. That’s fucking incredible.
I will say though the basic beats make this record a great buy for rappers to practice / freestyle / write tunes to. However, for most folk this Scorn album is definitely going to remain a challenging listen, and sadly will more than likely remain unknown to the festering masses. But, despite its awkwardness, LB is so goddamn far ahead of it’s time it’s literally frightening.